The Warrior

The Warrior - Death, armed only with a bone and shield, fights with the warrior on the field of battle.

30cm x 20cm Engraved on aged solid wood, wall hangable.

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Holbein's Dance of Death, originally crafted in Basel between 1523-1525, revolutionised Renaissance printmaking. Unlike medieval predecessors showing orderly skeleton parades, these intimate woodcuts portray Death as an unexpected intruder in daily life, disrupting all social ranks from popes to peasants. 

The series offers pointed social critique, with Death showing particular venom toward the privileged whilst treating the poor almost tenderly. A corrupt judge's staff shatters, an overindulged abbot is roughly seized, while a weary ploughman receives Death's gentle assistance. Created amidst Basel's Protestant Reformation, shortly after Holbein illustrated Luther's German Bible, the works reserve special scorn for Catholic clergy—the Pope confronts two skeletons and demons.

First published in 1538 as Les Simulachres & Historiees Faces de la Mort, these prints profoundly influenced Renaissance memento mori tradition. Their stark message of death's universal inevitability resonated deeply in plague-ridden, war-torn Europe. Through centuries of reproduction, Holbein's masterwork continues to captivate and disquiet viewers, each victim's distinctive reaction from stoic acceptance to futile resistance, reflecting timeless human responses to mortality.